Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

Friday, February 06, 2009

"Bride Wars" - a war on your senses

Why not to watch it:
- It's mind-numbing (it's really not funny to watch two actresses of such high calibre get into a screeching craze-fest about who gets to wed at The Plaza...sorry bout the spoiler)...
- It's regressive (Kate Hudson, what were you thinking to come up with this movie for your debut as a big-screen film producer? It shows women to be obsessive dimwits who can turn crazy-manipulative over extremely stupid so-called wedding dilemas)
- It's so low on logic, it's embarrassing...its movies like this that perpetuate the myth of female craziness accompanying weddings...it talks about the apparent modern phenomenon of "bridezillas" and takes it to a whole new cringe-worthy level...

Why you can watch it (said with extreme caution):
- two great-looking ladies (Anne Hathaway and Kate H)
- well, that's it.

What is it about modern chick-flicks and chick-lit that forgive and even seem to idolise silly, obssessive, manipulative heroines?? Where are the leading ladies who can manage to get their own without being bitch-manipulative for a change? I miss them...Julia Roberts in My Best Friend's Wedding makes me want to shake her out of her flagrant disregard for her "best friends'" choices...the heroine of the Shoppaholic books is both sweet and funny but at the end of the day, she's a chronic money-guzzling machine that can only be maintained by marrying a super-rich guy...Wither "work-hard-and-make-your-own-life" girl power?

Wednesday, October 25, 2006

Gone with the Wind: My Thoughts on the Book

Spoiler Warning: Characters described in detail, with a detailed summary of the book.

Plot
Gone with the Wind is an American civil war novel that chronicles the life of southerners before and after the war, through four main characters—Scarlett O’Hara, Rhett Butler, Melanie Hamilton and Ashley Wilkes. Before the war, the southerners were a mostly wealthy community, with vast acres of land and plenty of black slaves. The American civil war changed this way of life forever and an entire civilisation was “Gone with the Wind”.

Principal Characters
Scarlett O’Hara: A beautiful, young, impetuous, southern girl, much pampered in her wealthy father’s household. She’s a compulsive and unscrupulous flirt. Then the civil war happens and everyone becomes equally impoverished. Scarlett now has a chance to find out if she has any genuine fire in her belly that will make her one of the few to rise again from abject poverty.

Rhett Butler: A maverick, he is practical to the core and hates sentimentalists. He’s an absolute charmer when he wants to be. He’s in love with Scarlett, who is in love with someone else. He’s there by Scarlett’s side in the worst of times, but never openly declares his love for her, not even after they finally marry.

Melanie Hamilton: The girl who marries Ashley, (Ashley is Scarlett’s secret love). Scarlett hates Melanie, but circumstances throw them together. Scarlett slowly grows to love Melanie’s quiet bravery and generous heart. Melanie loves Scarlett, her brother’s widow. She sees and hears no evil where Scarlett is concerned. Her steadfast loyalty slowly melts the hatred in Scarlett’s heart.

Ashley Wilkes: A suave, wealthy southern intellectual, and Scarlett’s first love. He loves and marries Melanie, but lusts for Scarlett. When the civil war is over, he finds that he cannot reconcile himself to the new world order, where slaves and masters are equal and all must struggle to make a living. His lack of drive puzzles Scarlett, who realizes only at the end of the book that she and Ashley were never meant for each other, being as they are as different as chalk from cheese.

Gerald O’Hara: Scarlett’s short, bluff father. He has “the heart of a lion and the temper of a bee”. He is a self-made man. The genteel ladies of his house are his pride. Scarlett takes after her spirited and impetuous father.

Ellen O’Hara: Dignified, generous, efficient and calm, Ellen is the matriarch of the O’Hara household. Scarlett strives to be perfect in her eyes. Ellen is the quiet strength behind everyone in the family, and the only woman Scarlett loves.

Summary and Review
When I first read this novel years ago, I was in a rush to finish this humungous book. The haste, I now think, did not let me fully appreciate the book for what it is—a very fine study of human failings and courage. Thankfully, I re-read it recently. The book goes much beyond a staid study of that era. It delves into the failings and the heroic in man, with war as a backdrop and humour as the instrument.

At the start of the book, we are introduced to the main character—Scarlett O’Hara. Rich, capricious, and astonishingly savvy about making men dance to her tunes, this 16-year old is also very impulsive and non-analytical. A spoilt brat, she wants every man to love her. When her first love Ashley announces his engagement to Melanie, Scarlett is confused and from there starts a life that she never dreamt would belong to her. To make Ashley jealous, Scarlett gets married to the shy and very young Charles Hamilton (Melanie's brother). Then the war breaks out and Charles gets killed. Scarlett, already bewildered about her own hasty marriage, now finds herself a widow and the mother of the child of a man she barely knew.

Rhett Butler, a maverick who enjoys spitting society in the face, knows that Scarlett is in love with Ashley and tries to make her see that the she and Ashley are not meant to be. But Scarlett clings to her notion that Ashley loves her and they will one day unite. In the meantime, the South is close to losing the war, and Scarlett is forced to flee back to her parents’ home. When she reaches there, she finds her mother dead, her father senile from the shock, her farm burnt by the Yankees, her slaves gone, her sisters gravely ill, nothing to eat and no money left. A grim battle to survive begins. She vows to never let go of her land, come what may. To this end, she even unscrupulously marries her sister’s fiancĂ©e, takes over his business and starts a greedy pursuit of money.

This is the early post-war time, where former slaves are running wild, with a need for vengeance on their former masters. The era sees the rise of the Ku Klux Klan, a gang supposedly meant to protect white women and children from the black community. The novel gets biased in some areas—Scarlett is frequently shown thinking of her black workers as lacking in intelligence. But she is in tune with the period the novel is based in, when all whites thought the same, although terribly unfairly.

Scarlett’s second husband gets killed in a skirmish, and Rhett this time asks her to marry him before circumstances prevent it again. They marry and Scarlett starts indulging in the lavish and wild lifestyle she always wanted. She gives birth to her third child, her first from Rhett Butler. Butler adores the girl. Father and daughter are very close. In this time, however, the distance between Scarlett and Rhett increases as Rhett realises Scarlett still loves Ashley. Then one day, their daughter dies in a freak accident and Rhett is heart-broken. Scarlett cruelly blames him for her death, and this shocks him even more. He soon loses interest in living and grows more and more distant from Scarlett. Meanwhile, Melanie is dying. After her death, Scarlett realises that Ashley only loved Melanie all along, and that in pursuit of Ashley, she did not see that Rhett loved her and that she loved him. She tries to confess her feelings to Rhett. But he is far too disappointed now to revel in the confession. He tells Scarlett they can never be together again. When she asks what will become of her love for him, he nonchalantly tells her he doesn’t give a damn. This marks the end of the book, with Scarlett clutching to the hope that tomorrow is another day and she will once again win him back.

The book tellingly highlights some of the injustices of that era, especially the plight of women in those times. Mitchell points out how girl was expected to be dependant and coy to win a man, and then had to suddenly become the epitome of efficiency after marriage, when she had to run a household of relatives and slaves.

However, the book has been written with a clear Southern bias. Mitchell talks about the different ways in which the South and the North looked at slaves: the North fights the war supposedly to free the slaves, but the Yankee/Northern officers and their wives won't have anything to do with the blacks themselves and view them with suspicion. While the South, which employs slaves, trusts the blacks and knows them to be loving people. But Mitchell completely ignores the atrocities that were committed on the slaves by their Southern owners. She paints a rosy, albeit feudal picture of a South that employed black slaves, but seemingly treated them indulgently. The injustices the slaves had to endure have been completely glossed over.

But all the while, Mitchell's witty humour never fails to entertain, even as it brings about the pathos in a situation. Particularly, in the scene where the shallow Scarlett, very young and newly-widowed, longs to go out and party, but society's rules forbid it. So when she waves out to a merry group from her window and is reproached for it by her aunt, she gets into a wailing fit. Melanie and her aunt are contrite and think she is grieving for her husband and try to console her, but Scarlett wails out louder, frustrated that her sorrow at not being able to have a good time is being mistaken for a widow's pain!

After reading the novel, you find that the characters of Scarlett, Rhett and Ashley are all too human, with their penchant for making mistakes, being arrogant and being too weak, respectively. Scarlett is unscrupulous, but also an untiring soldier battling for herself and her family. Rhett is the arrogant, street-smart rogue, but he's also the man who loves and loses. Ashley is the philosopher who correctly understands his own failings and those of others around him, but is unable to overcome them. Melanie alone is the one with few vices. This is a volatile and heady novel, and also deeply satisfying - Mitchell’s perfect gift to the world.

Sunday, August 20, 2006

Fountainhead - My Thoughts on the Book

Today I’m going to review the book that I’ve always avoided reviewing. Fountainhead has always left me with ambivalent feelings. When my friends ask me about it, I answer cautiously. Do I love the work for Ayn Rand’s genius characterization? Or do I hate it for its extremist and cold perspective on mankind? Though as I think harder now, I think it’s a little bit of both. I like the book because it IS brilliant; but i ALSO think the book is an extremely arrogant, cold take on life and its players. Let me elaborate.

Plot Summary
A poor and brilliant architect, who refuses to compromise on his principles, must battle poverty, credit-snatching colleagues, rejection, slander, manipulation of a devious but popular journalist, and finally imprisonment, to achieve his freedom to live and work in his own way.

Principal Characters
Howard Roark:
A brilliant but poor architect, and an individualist. He is the man who believes his work talks for him. Too bad then that the world is not fair and people will take credit for whatever they can. He goes through a lot of struggle and rejection, but later makes it big. This is his story—how the individualist fights the credit-snatchers and devious people. The book, though, does not talk about the childhood of its protagonist at all, besides a few lines thrown in. I thought this was a serious oversight. We are not told how or why Roark becomes what he is. Rand does, however, delve into the childhood of some other characters, and rightly so.

Dominique Francon: The Yin to Roark’s Yang. Unlike Roark though, she is born to a rich father, a famous architect. She despises her father for his utter lack of passion and conviction for his work, and his greed for wealth (but continues using his wealth). An individualist herself, she’s also extremely arrogant, beautiful, and an art-reviewer famous in her own right.

Gail Wynand: One of the negative characters in the book. But as another negative character (Ellsworth Toohey) points out, he is less evolved in his power hunger. A Publishing Czar, among other things, he is used to having his way. He is ruthless, manipulative, and extremely vindictive. Falls in love with Dominique, totally and for the first time, only to find that she is in love with Roark, who is by then his best friend.

Ellsworth Toohey: For me, this is the most brilliantly concocted character ever, and also the scariest. For Toohey is power-hungry, just like Wynand. But unlike Wynand, Toohey is subtle. He goes about controlling people in an apparently innocent but effectively deadlier way. He is intentionally poor, but has his tentacles in all major organizations and communities. Everyone sees him as an Expert on Art and a selfless do-gooder. But the scariest of his principles is this: he believes that all genius must be nipped in the bud, because genius can think for itself and influence people, and hence cannot be controlled. So to kill genius, he calls it mediocre or downright bad. Since he is seen as an authority on Architecture, he actually manages to pull down Roark’s genius (for a while) by this strategy. Deadly.

Peter Keating: The weakest character in the book. Peter is the shallow and untalented charmer. He charms his way through school and office, making Roark do his school assignments first, and later his office assignments too. (Roark works for him apparently for money to survive, but given his ideals, he should have resisted.) But one day, Keating’s luck runs out. He marries Dominique out of lust and greed and breaks the heart of his longtime sweetheart. Marriage to Dominique shatters all the deception he has built around himself. He is forced to confront what he is—a pathetic weakling, who does not mind trading his wife’s body for a prestigious assignment. From then on, Keating becomes a wreck, eaten by his conscience, till even his over-ambitious mother regrets pushing her son towards something he was never meant to achieve.


The book is very intense and very opinionated. Rand’s philosophy is that people who are talented and work hard must always guard themselves from people who want credit without the toil. That’s true of course. But the way she goes about telling this truth is what fills me with ambivalent feelings. Roark, for the most part of the book, comes across as devoid of feelings. He rarely says what he thinks (except in the end, when he is on a roll), so we don’t know if the man is human at all. The warmth in this character, the humanness, is just not there. He is a genius and an ethical boss, but that’s it. His one strong emotion is his love for Dominique, though even that is a little weirdly portrayed (the first time they make love is when he rapes her). Similarly, Dominique is intelligent, but hard. She looks down on everybody, including her father, yet does not mind using his wealth. There is a hypocrisy to this character that Rand could have done without. But for the most of it, you just can’t argue with Ayn Rand’s genius for realism. The book is humungous, but gripping. And all said and done, she does seem to write with passion and conviction, highly valuable qualities for a writer.